Once upon a time we used to proudly call Indian Railways the ‘nation’s lifeline’. Today, we are embarrassed by it. Every Indian had an impossibly romantic railway memory. Today these memories have faded as successive politicians have played havoc with a grand old institution. The root problem is that railways is a state monopoly, starved by politics of investment and technology, and prevented by a pernicious departmental structure from becoming a modern, vibrant enterprise.

जिस दिन आम आदमी पार्टी दिल्ली में चौंकाने वाली जीत दर्ज कर रही थी, उसी दिन मैं पाकिस्तानी लेखक शाहिद नदीम के लाजवाब नाटक दारा का आनंद उठा रहा था। इसका मंचन हाल ही में लंदन के नेशनल थियेटर में किया गया था। तमाम स्कूली छात्र औरंगजेब और दारा शिकोह के बीच चल रही खूनी जंग के बारे में जानते हैं, लेकिन यह नाटक केवल उत्ताराधिकार की लड़ाई तक ही सीमित नहीं है। इसमें दिखाया गया है कि भारत क्या था, क्या बन गया और क्या होना चाहिए था। यह आज की जनता को संबोधित था और इसमें नाखुश पाकिस्तान और भारत के प्रधानमंत्री नरेंद्र मोदी को गंभीर नसीहत देता है। इसमें यह नसीहत भी है कि पिछले दिनों दिल्

On the fateful day that the Aam Aadmi Party won a stunning victory in Delhi’s state election, I was captivated by the tragedy of ‘Dara’, a superb play by Pakistani writer Shaheed Nadeem, which opened recently at the National Theatre in London. Schoolchildren across India know all about the murderous rivalry between Aurangzeb and Dara Shikoh for the Mughal throne but this play is not only about a war of succession; it is about what India was, what it became, and what it might have been.

For the past few weeks Shashi Tharoor, the celebrated writer and politician, has been the victim of a phenomenon called trial by media. The me dia can be unkind when life takes a bad turn. It delights in raising celebrities to the sky on one day, and with equal glee brings them crashing down the next. If you live your life under the glare of publicity, you must be pre pared to be tried by the public.